As he stumbles forwards he is placed in the centre of the shot, looking past the camera giving us a sense of his panic and need for a way to escape. The bright lights are symmetrical on either side of the Ellington Kid drawing the viewer's attention to him. The pace slows in this close up shot, building the suspense. The smooth pan between the two characters shows their power and ease, the man has a slight smile showing his confidence. His red shirt stands out against he white associates them with blood and power and contrasts with the all black outfits of the stabbers showing two separate sides. The low angle makes them seem more threatening |
OPEN ON – INT. DAY. KITCHEN Bright natural lighting. Diegetic sound of chopping. No music. Extreme close up of knife chopping an onion on wooden chopping board. Mid shot of GIRL placing it in frying pan and frying it. Wearing an apron, hair tied up messily. Diegetic sound of frying. Close up of the frying pan (ominous) Introducing SCARLET CUT TO - EXT. DAY. STREET Wide shot. Sunny day, bright lighting. Upbeat music. Ambient Sound of cars going by and people talking. BOY walking as listening to music. Pan to follow his movement. Introducing DANIEL CUT TO – BLACK SCREEN. TITLE PAGE Upbeat music continues. ‘SPAG’ CUT TO – INT. EVENING. HALLWAY Wide shot. High angle. Music fades. Softer lighting. (DOORBELL) SCARLET walks into the frame. No apron, hair done nicely. Walks up to the door, opens it. DANIEL is stood out...





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